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However, I do expect the sound quality to be perceptibly better than the Eleven Rack (which is quite good I might add), and damn sure better than any of the HD Pod stuff. (sound quality) Doesn't have to beat it, just be comparable to it. That is, if it truly does compare with Axe Fx in the modelling quality aspect. It should for any studio musician that happens to play guitar. However, the 8x8 ReAmp flexible monster that this interface is alone, just raises the value of the thing up tremendously for myself. That will be easily more decidable after it launches. Then I wouldn't say Helix is too expensive either. However, if you do get too much hum, or your guitar gear just doesn't sound "right," we do happen to stock the most affordable re-amplifier on the market.This topic alone completely crushes all of the "Helix is too expensive" nonsense IMO. If you've got a track that needs reamping today, go ahead and try one of the options above-it may work just fine. I'd never advocate putting your music making on hold while you wait for a piece of gear. So, while the reverse DI trick does provide ground isolation, the high ratio of the transformer makes it less than ideal for level and impedance matching.Ĭan I get started reamping without a dedicated re-amplifier?Ībsolutely. So if your line-level signal for reamping is a standard +4dBu, it will leave the reverse DI at a whopping +25.5dBu! This will clip most guitar pedal and amp inputs. Using it in reverse flips the transformer's ratio, so the DI will step up your signal by 12x. But sometimes it can register as the reamped signal just sounding "not right." A reamp box can prevent this by recreating the typical output impedance of a guitar pickup.Ĭan't I just use a passive DI in reverse?Ī passive DI is a step-down transformer (usually 12:1) that steps an instrument's volume and impedance down to microphone level. Most of the time this has no audible effect. Through the magic of electro-magnetism, the transformer allows signal to pass from the input to the output without a direct connection between their grounds.īut don't take my word for it, here's what the ground lift on the L2A can do:Ī video posted by Peterson Goodwyn on at 11:51am PDTĪdditionally, patching right from pro-audio to guitar gear can cause an impedance mismatch. Connecting the two systems directly creates a path for noisy ground currents to flow into the audio paths.Ī reamp box like the L2A solves this problem by isolating the grounds with a transformer.
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Pro-audio gear uses balanced connections, while guitar gear is unbalanced.
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Technically, yes. But you may get a lot of noise. However, we do get a lot of questions along these lines:ĭo I really need a dedicated device to reamp? Haven't people been reamping since before there were reamps?įair questions! The short answer is no, you don't need a dedicated reamp box to start reamping. But for ideal performance in a wide range of situations, you're better off with one.Ĭan't I just connect a cable right from my interface to my amp? By now, it seems like most people are familiar with the process of patching their recording gear into their guitar gear and then re-recording that "reamped" signal. When we first launched the L2A Re-amplifier kit five years ago, I got a lot of emails asking simply, "what is reamping?" A lot's changed since then.